11.07.2012

COSplay


Amalgamation

I am almost done as a Peace Corps volunteer.  It’s been two years, and the end seems to be hurtling towards me faster and faster every time I look at it.  As of this writing, I leave Nicaragua in thirteen days.

In Peace Corps jargon (that’s the other language I’ve picked up during service apart from Spanish), this period in the life of a volunteer is called COS, or Close Of Service.  It’s when you have to finish your projects, fill out a hundred reports, say goodbye to your friends, get rid of your possessions, and worry about your future.

I often give myself the chuckles when I think about the term “COS” because in my head I call it “cosplay.”  If you’re unaware of what that is, please wiki-educate yourself now.  I get the chortles because calling it “cosplay” gives me an amusing vision of me and my fellow volunteers dressing up and acting like normal Americans.

COS is stressful.  And when my stress levels go up, apparently so does the frequency of my compulsive doodling.  I made the following drawings during the month of October while trying to get myself ready to leave Nicaragua and reenter that strange country called Gringolandia.  This is a cathartic residue; these are stress-induced compulsions.  Enjoy!



Fractals

Square-Triangle-Circle

The Limits of Geometry

Symbol

The Point

Velocity

Nascent

Perp

Morphometry

COSplay

9.24.2012

Anatomy of a Project (Vol. 5.4) - The Table



The next important part of the stove (and the second stage of the construction process) is the mesa or the table.  The table, much like the stovetops, must be ready to go before the construction of the stove itself.  The table’s function is simply to provide a flat, elevated surface upon which to build the stove.

The mesa we are providing as part of the seventy economical stoves project is made out of piedras canteras (see volume 5.2 Materials and Design Elements) and concrete.  The height of the table should be between forty and fifty centimeters and is mostly determined by the height of the piedras canteras and the thickness of the concrete used to keep them in place.


A basic table has the shape of a rectangle with the long sides made up of two piedras canteras and the short sides made up of one.  The piedras are set up on their edges so that when they’re pasted together with concrete, they effectively wall in a rectangular space that’s hollow in the middle.  Then, that hollow empty space is filled with dirt and stones and trash and whatever unwanted non-organic material might be lying around.  This leaves a nice, flat, elevated surface to later build the stove on.

This is a completed table waiting for its stove to be built. You can see how the middle space is filled in with dirt
When deciding where to build the table in someone’s kitchen there are a few important factors to consider.  The first is to think about the natural flow of air.  Where is there a door or a window that allows air to flow through the kitchen from outside?  If at all possible, you should try to position the table (and ultimately the stove itself) such that the natural flow of air will aid the path of the smoke towards the chimney and not blow it back into the room.

This table was built freestanding next to a wall of sticks
Another important factor to consider in table construction is whether or not it can be built in a corner, thereby taking advantage of two existing sturdy walls and cutting down on the number of piedras canteras necessary.  If the kitchen walls are made of sticks or wooden planks instead of bricks or stone or concrete, however, it will be necessary to build the table with four complete freestanding walls.

This family already had their table and it worked with the specifications of the project
If a family happens to have a table from a previous cooking area made from different materials but that provides a flat surface elevated to between forty and fifty centimeters off the ground, then it is not necessary to build another table!  There were a few beneficiaries in this project that already had acceptable tables and did not have to have a new one built.

This table was built against a low stone wall on the far side and has been covered with an additional layer of concrete.  All stoves and tables in the project will eventually be finished in concrete
Since for two weeks each community could only make seven or eight stovetops a day, the construction teams would build mesas while waiting for the concrete planchetas to dry.  That way we were able to avoid the problem of not having enough tables ready to go when we began to build the stoves themselves.

This table is super long because the beneficiary had extra piedras canteras
The next installment will be a real doozy: The Stove Itself, where all the magic happens.  Don’t miss it.  There will be video content even!

    • (Vol. 1) – Intro to Economical Stoves
    • (Vol. 2) – Community Development…The Goal
    • (Vol. 3.1) – The Key Players
           (Vol. 3.2) - The Designers/Facilitators
           (Vol. 3.3) - The Community
    • (Vol. 4) – The Problemática
    • (Vol. 5.1) – The Stove Design
           (Vol. 5.2) - Materials and Design Elements
           (Vol. 5.3) - The Stovetops
           (Vol. 5.4) - The Table ***
           (Vol. 5.5) - The Stove Itself
           (Vol. 5.6) - The Chimney
    • (Vol. 6) – Community Workshops
    • (Vol. 7) – The Budget and Funding
    • (Vol. 8) – Designing for Sustainability

9.19.2012

Anatomy of a Project (Vol. 5.3) - The Stovetops



Each inkawasi stove has two “stovetops” (I really have no idea what else to call them in English) that are cast out of concrete and internally reinforced with rebar.  In Spanish we call them planchetas de concreto or just planchas.  These are the first things that need to be made when building an inkawasi stove because they have to be already dried and cured when the actual stove is built.  In other words, you have to fabricate them beforehand so they’re ready to go on build day.


As indicated by the inkawasi schematics posted in volume 5.1, the inkawasi stove has two levels and two “burners.”  The design calls for one stovetop (and one burner) per level.  The front stovetop has the main burner located over the combustion chamber (where all of the actual cooking takes place) and the back stovetop has the secondary burner (where you can put food to keep it nice and hot), as well as the chimney.

In order to cast a plancheta you need water, sand, and cement, corrugated and smooth rebar, metal stripping, and wire for tying.  You also need to make a simple wooden mold (called a formaleta in Spanish) and be prepared to solder a bit.

There's some casual soldering gear there on the ground
Many of the tools you'll need to get the job done
To make the burner hole in the stovetop, you bend the metal stripping into a circle shape with the approximate circumference of a standard cooking pot.  Each burner hole uses two of these metal stripping rings stacked on top of each other, with short pieces of corrugated rebar soldered in between them.  This forms what will become the burner of the stovetop.

Don Pedrito checks for squareness
Here you can see how the metal stripping is stacked and soldered
Then you build the latticework structure that reinforces each concrete slab.  This structure has a border made of corrugated rebar and an internal grid made of smooth rebar.  The pieces of rebar are held together with tying wire, and the burner hole made from the metal stripping is placed in the middle.




Some completed latticework structures awaiting concrete
When your latticework structures are all ready and resting comfortably within their wooden molds, it’s time to mix up your concrete.  I believe the most common mix ratio is 1 part cement, 2 parts sand, and water to gusto, but you can play around with it to get your desired consistency.



With the concrete mixed and ready, it’s time to fill in your molds.  There’s a neat little trick for raising the latticework structure so that it lies suspended in the center of the concrete slab and not sitting at the bottom: all you need to do is prop up the lattice with a few small rocks before you pour in the concrete, and the mixture fills in around the rocks (they’re making minimal surface contact with the ground due to their rounded or jagged sides) and they disappear, leaving the lattice suspended magically in the middle of the concrete plancha!  After pouring the concrete into the molds you smooth out the surface with a straight piece of wood.






It’s also important to remember that you’re making two slabs of concrete for each stove and one of them needs to include a hole for the chimney.  We’ve found that a hole about four inches in diameter is perfect for a chimney, regardless of whether you use concrete tubing or metal to make it.  To form the chimney hole when casting the planchas you can use a piece of plastic PVC pipe or anything else that will leave a four-inch diameter hole.


For our project, the biggest challenge in making the stovetops was the logistics.  This project is for seventy stoves and each stove calls for two stovetops, so we had to cast 140 concrete slabs in total.  We ended up making fifteen wooden molds, so one community used seven and the other used eight.  This means that each community could only make seven or eight planchetas per day, since they need about 24 hours to dry and cure enough to be taken out of the mold.  The whole process of fabricating the 140 stovetops took about two weeks to complete.

Next up will be a closer look at the construction of The Table, which is the surface upon which the stove itself is built.  Stay tuned.


    • (Vol. 1) – Intro to Economical Stoves
    • (Vol. 2) – Community Development…The Goal
    • (Vol. 3.1) – The Key Players
           (Vol. 3.2) - The Designers/Facilitators
           (Vol. 3.3) - The Community
    • (Vol. 4) – The Problemática
    • (Vol. 5.1) – The Stove Design
           (Vol. 5.2) - Materials and Design Elements
           (Vol. 5.3) - The Stovetops ***
           (Vol. 5.4) - The Table
           (Vol. 5.5) - The Stove Itself
           (Vol. 5.6) - The Chimney
    • (Vol. 6) – Community Workshops
    • (Vol. 7) – The Budget and Funding
    • (Vol. 8) – Designing for Sustainability

8.27.2012

Anatomy of a Project (Vol. 5.2) - Materials and Design Elements



Let’s look at the materials we’re using here in Nicaragua to reproduce the inkawasi design.  One of the reasons this particular stove works so well as a community development project is that all of the materials can be found relatively easily and cheaply within the community.  The materials used in our project are:

Cement

Sand

8.24.2012

Anatomy of a Project (Vol. 5.1) - The Stove Design



This fifth volume in our epic journey chronicling the economical stove project is about the stove design itself, as well as a bit about the construction process and the logistics that go into it.  There’s a lot of ground to cover, so I’ve decided to split the content into sections like I did with volume 3, The Key Players.  Read valiantly on!

The design we’re using in the economical stove project is promoted by the Peace Corps, and it's called the “inkawasi stove” after the Incahuasi district of Peru where the first project using the design was implemented in 2004.


If you’ll pardon me for a moment, I’m going to nerd-out linguistically and explain that Incahuasi is the Spanish spelling of the Quechua word Inkawasi.  Quechua is the most widely spoken indigenous language in South America, and was the language of the Incas.  In Quechua, inkawasi literally means “Inca’s house,” so it seems fitting that the stoves are now appearing in people’s houses all over Central and South America.

I like that the inkawasi stove is identified with such a uniquely American name in the sense that the word originated in a pre-Colombian American society and can therefore still be associated with its American indigenous roots in an age like today where nearly all of Central and South America has been compelled to define and measure itself against European and North American standards…but I digress.  I guess that can be the topic of a different post.

Front view

Side view

Top view

Coming up, we’ll take a closer look at the parts of the inkawasi stove. I’ll be sure to point out along the way how this excellent design helps to alleviate the issues of smoke in the home and high firewood consumption, thereby significantly reducing the health, safety, economic, and environmental consequences that we looked at in volume four, The Problemática.

And don’t miss the next installment of volume five, Materials and Design Elements, because you’ll get to feast your eyes on some hand-drawn illustrations made by yours truly!

    • (Vol. 1) – Intro to Economical Stoves
    • (Vol. 2) – Community Development…The Goal
    • (Vol. 3.1) – The Key Players
           (Vol. 3.2) - The Designers/Facilitators
           (Vol. 3.3) - The Community
    • (Vol. 4) – The Problemática
    • (Vol. 5.1) – The Stove Design ***
           (Vol. 5.2) - Materials and Design Elements
           (Vol. 5.3) - The Stovetops
           (Vol. 5.4) - The Table
           (Vol. 5.5) - The Stove Itself
           (Vol. 5.6) - The Chimney
    • (Vol. 6) – Community Workshops
    • (Vol. 7) – The Budget and Funding
    • (Vol. 8) – Designing for Sustainability


7.03.2012

Still Life

        You know what they say about what you should do when life gives you citrus fruits right? Well, life in Nicaland doesn't often give you lemons…but sometimes it does give you naranja agria.



        In this series of still lifes*, I'll show you just what to do if you happen to come upon unexpected citrus. I decided to sacarles el jugo and make some refreshing fresco de naranja, just like any respectable Nica might do after receiving a similar windfall.

6.27.2012

Pochote

Trees in Nicaragua are super cool.

You won’t run into any boring old oaks or maples in Nicaland…instead you’ll find a startling diversity of exotic arboreal species.  And there is no tree more fun to look at or more dangerous to climb, than pochote.

pochote_1
Pochote is pronounced Poe (like Edgar Allen) - Cho (like Harry's old fling from Ravenclaw) - Tay (like the longest river in Scotland)

6.14.2012

Anatomy of a Project (Vol. 4) - The Problemática




The title for this volume of the Anatomy of a Project series is “The Problemática.”  It felt natural to use the Spanish word problemática because there is no single word in the English language (that I can think of) that describes the concept quite as well.  A problemática (used as a noun instead of an adjective) is the collection, series, or totality of interrelated problems and consequences that surround an issue.  What a great word!  So, let’s take a closer look at the problemática of traditional cooking methods in the communities.

The prevailing cooking method in the communities of Los Álvarez and El Llanito is over an open wood fire.  Some families use three large stones or bricks, balance their pots on top, and then simply light the fire underneath, but many families have built (or have received by donation) stove-like structures formed out of concrete.

I call these structures “stove-like” in order to differentiate them from real stoves that actually make burning wood more efficient instead of just looking nicer.  The fact is, the stove-like abominations that most families use are no more efficient than lighting a fire between a few rocks.
Traditional cooking methods...this is a classic "stove-like abomination"


Two Fundamental Issues


Here's a slide from a presentation I made for a community workshop
There are two fundamental issues with traditional cooking methods:

Firstly, these cooking fires produce un cachimbo (a slightly vulgar way to say “a lot”) of smoke that becomes trapped in the home.  Some stove-like structures do have chimneys, but they’re really only for show.  Instead of going up the chimney, the smoke rises right out of the burners and collects in the kitchen to be breathed by women and children, just as if there was no chimney.

Most kitchens have their walls and ceilings burned black with soot.  When we had families keep track of how much wood they were consuming in a week, we gave them a nice white sheet of paper with a table for them to fill in, and when we got them back they were stained a disgusting sickly yellow.

The soot is pretty gross
Secondly, cooking with traditional methods consumes an obscene amount of firewood.  We’ve calculated that an average family (about five people) consumes about fifteen pieces of wood per day.  That’s 105 in a week, 450 in a month, and 5,475 pieces of wood in a year.  Multiply that by the number of families in the community (134 in Los Álvarez for example), and we’re talking about an estimate of 733,650 pieces of firewood consumed in one year in one small community in the smallest municipality of one of the least populated provinces of Nicaragua.  Clearly there is an astronomical amount of firewood consumed as a result of traditional cooking methods.

A casual wood pile

So, the two fundamental issues with traditional cooking methods (smoke in the house and high firewood consumption) lead to consequences for the community in four general areas: Health, Safety, Economy, and Environment.


Health and Safety

Traditional cooking methods lead to both health and safety consequences in the communities.  The health consequences are a direct result of the issue of wood smoke in the home.  The high levels of wood smoke inhalation lead to respiratory problems (one of the leading reasons among women to seek medical attention in rural Nicaragua) including chronic obstruction of the lungs with tar and phlegm, tuberculosis, asthma, and lung cancer.  The wood smoke gets into the eyes as well and affects vision, leading to additional health consequences such as cataracts and blindness.  The smoke also has an effect on the skin, causing more rapid aging, wrinkles, and a leathery texture.  When all is said and done, the daily exposure to wood smoke in the home reduces the life expectancy of women in these rural communities by about twenty years.


Along with the consequences of the noxious smoke produced by traditional cooking methods, the open flame itself leads to a slew of safety hazards, especially for children.  Both the women doing the cooking and the children who play around the cooking fire are subject to burns and other cooking accidents.  There have also been many cases of house fires (especially in the dry season) resulting from the precarious nature of open-flame cooking fires.


Part of the doctor's presentation at a community workshop


Economy


The issue of high firewood consumption has a large impact on the economy of families and by extension the communities where they live.  Family members can either go out to search for and cut down their own firewood (which is an investment of time and energy, not mention often illegal), or they can buy it.  On average in Santa Lucía, one piece of firewood costs two córdobas.  A family who consumes an average of fifteen pieces of wood a day with traditional cooking methods spends about 10,950 córdobas in a year just for firewood.  That’s $472.  Considering that the average Nicaraguan makes $2,000 a year, $472 is a very significant amount just to buy wood for cooking…nearly a quarter of one person’s annual earnings.



This amount of firewood might last a couple days


Environment



Last but certainly not least, the issue of high firewood consumption in traditional cooking methods leads to a great many environmental consequences.  The most pervasive consequence of high firewood consumption is, obviously, the problem of deforestation.  Trees are being cut down in the hundreds and thousands so that rural families can cook their daily meals, not just in the communities of Los Álvarez and El Llanito, but in all of Nicaragua.

We’ve actually calculated (with the help of a local expert who works for the Ministry of Agroforestry) how many trees are being consumed for firewood in the communities each year.  Each piece of firewood is about thirty-three inches long and three inches wide, which means that the average piece of firewood has a volume of 297 cubic inches.  Assuming one family consumes fifteen pieces of firewood a day, that same family consumes about 1,626,075 cubic inches of firewood every year.  This translates to 26.65 cubic meters of wood per year.

Average firewood size

If an average small tree has 3.5 cubic meters of volume, then the average family consumes about seven and a half trees each year in firewood.  We can then estimate that the community of Los Álvarez (134 families) consumes 1,005 trees each year, and the community of El Llanito (380 families) consumes 2,850 trees each year.  Assuming that one acre of forested land in Nicaragua holds about 96 trees, we can say that just between Los Álvarez and El Llanito, deforestation as a direct result of firewood consumption is advancing at a rate of forty acres per year.


Here's another piece of wood
And how does deforestation affect the environment you ask?  Well the ecological effects of deforestation are quite far-reaching.  For one, trees function as the earth’s air filtration system.  Through the processes of respiration and photosynthesis, trees process the CO2 in the air and produce oxygen, which we breathe.  As trees disappear, the oxygen levels and the general quality of the air goes down.

Trees also serve an important function with regard to the earth’s soil.  Tree roots hold soil in place and prevent erosion.  Erosion and landslides are a huge problem in Santa Lucía since the town is surrounded by cliffs. Most communities, Los Álvarez and El Llanito included, are located on the sides of the hills leading up to those cliffs.  Trees also provide important substances to the soil that keep it healthy and fertile.  With less trees, the amount of landslides goes up and the fertility of the soil goes down.

Another important function of trees is in their relationship with water, plants and animals.  Trees make up an important part of the riparian zones of streams and rivers, meaning that their roots prevent stream banks from falling into the water and polluting it, and their leaves provide the necessary shade that keeps water temperatures at the correct level.  The process of transpiration also has a huge effect on rainfall levels, which in turn affects the growing and harvesting cycles of crops.  Trees also provide important habitats for animals and plant species.  So as trees are cut down, we see water pollution go up, rainfall become erratic, and plant and animal species leave or die.

Let's conserve trees! Let's consume less wood!


These four areas of consequence: Health, Safety, Economy, and Environment come as a direct result of the issues of smoke and firewood consumption that surround traditional cooking methods.  The consequences are the problems that exist within the community, and they are the things that we want to change and improve upon in the economical stove project.  As we will see in volume five, The Stove Design, the economical stove provides a solution to each one of these problems in the four areas of consequence.

Looking towards El Llanito from Los Álvarez

    • (Vol. 1) – Intro to Economical Stoves
    • (Vol. 2) – Community Development…The Goal
    • (Vol. 3.1) – The Key Players
           (Vol. 3.2) - The Designers/Facilitators
           (Vol. 3.3) - The Community
    • (Vol. 4) – The Problemática ***
    • (Vol. 5.1) – The Stove Design
           (Vol. 5.2) - Materials and Design Elements
           (Vol. 5.3) - The Stovetops
           (Vol. 5.4) - The Table
           (Vol. 5.5) - The Stove Itself
           (Vol. 5.6) - The Chimney
    • (Vol. 6) – Community Workshops
    • (Vol. 7) – The Budget and Funding
    • (Vol. 8) – Designing for Sustainability


Next up, The Stove Design.  I'm going to release a neat little video with that one!  Stay tuned.