Showing posts with label Film/Video Projects. Show all posts
Showing posts with label Film/Video Projects. Show all posts

3.18.2015

Anatomy of a Project (Vol. 5.5) - The Stove Itself


This post has been a long time coming.  Actually it's about three years later than I was originally expecting.  But hey, better late than never, right?

I figure that this series of posts might be helpful to someone who decides to do a similar project or is interested in working with the Inkawasi stove design, so that's why, years later, I'm following up on the Anatomy of a Project series with this final post.  I never quite got to some of the topics I wanted to, like Community Workshops, Budget and Funding, and Designing for Sustainability, but I do think there's enough information here to be helpful.

This video was produced by me in 2012 during the stove project, and chronicles step by step how to build the Inkawasi stove structure.  It is in Spanish, but I'll work on putting some English captions on there.  Enjoy!


           (Vol. 3.3) - The Community
           (Vol. 5.3) - The Stovetops
           (Vol. 5.4) - The Table
           (Vol. 5.5) - The Stove Itself***
           (Vol. 5.6) - The Chimney
    • (Vol. 6) – Community Workshops
    • (Vol. 7) – The Budget and Funding
    • (Vol. 8) – Designing for Sustainability

11.09.2013

Lassen's Dark Night Sky



Summer 2013 I worked as a seasonal park ranger at Lassen Volcanic National Park.  There's a lot to love about Lassen, from the glacial lakes, dozens of volcanoes, hot springs and mudpots, to the diverse wildlife, hiking trails, and camping opportunities...but one of the least recognized (and most beautiful!) resources the park has to offer is its dark night sky.

We don't often think about a dark sky as a natural resource, but it is.

The dark night sky is worth protecting and ultimately worth celebrating, and the Lassen Dark Sky Festival is an annual event in the park that takes place in August during the Perseids meteor shower.

You can join amateur and professional astronomers each night to look through telescopes and see constellations, planets, and other deep sky objects.  There are also daytime and evening programs led by rangers and NASA scientists.

Check out the video above, which I produced for the park to help promote the event, and if you're going to be in northern California over the summer, the Lassen Dark Sky Festival is not to be missed!

STAR CHASERZ: This SUV is also a "mobile observatory" outfitted with a high-powered telescope that pops out of the roof and displayz what it seez on an LCD screen mounted in the back. It's a regular at the Festival and it rulez. 

3.02.2013

Country Kids (Chateles Del Campo) Official Trailer


If you've been following our recent (and successful!) kickstarter fundraising effort, you'll most likely have seen this trailer already.  The good news is that now you don't have to listen to Jason talk at the beginning!  (Jason, you have a wonderful speaking voice.)  So watch the trailer again and get excited like it was your first time.  If it is your first time, aren't you super excited??

Next I'll be working on putting together a rough cut of the entire film, so the foreseeable future will for me, be defined by a lot of solipsistic sitting in a dark room, coffee drinking, and periodic walks in the woods.


2.13.2013

Country Kids: The Title Logo



I think I can speak for both Jason Outenreath (Director, Cinematographer, Producer) and myself (Editor, Producer) when I say that making a feature length documentary is a pretty gargantuan undertaking.

To make a movie like this, that is to say completely independently, requires a gung-ho and steadfast commitment to tackling difficult creative challenges on a daily basis.  The kind of sustained mental and physical strain that comes with producing an independent film can lead to moments of doubt and often overwhelming fatigue, but what keeps us excited and energized and focused on the finish line is remembering the reason we decided to make this thing in the first place: to share the stories of rural Nicaraguans with as many people as we can, and to give audiences an entertaining and enlightening experience of these kids’ unique world.

One of the challenges I had in the months leading up to the launch of the website and the kickstarter page was designing an eye catching and unique movie title logo that comments on both the tone and content of the film we want to make.  Since the movie is essentially about kids, I started with that.

Jason shot the entire thing in the schools where he worked in Camoapa and the kids who appear in the movie were his students.  I had the same exact job teaching rural elementary school kids in a different town called Santa Lucía, not too far away from Jason.  I thought it would be neat to include the kids I worked with somehow, if only in a small way, and it occurred to me to make the title logo using my students’ actual writing.

What you see below are the names of the sixteen sixth-graders at Rubén Darío Elementary School in the community El Llanito, municipality of Santa Lucía, Nicaragua in 2012.  I had each kid write their name here and ended up using this sheet pretty much all year long to remember their names (I am HORRIBLE with names apparently) and for taking daily attendance.  This was a really great group of talented and intelligent kids and I miss working with them.

If you're compulsive like me, you'll try to find some of the letters that were extracted to create the title logo

So, in order to make the title logo that you now see on the kickstarter page, the website, facebook and in the trailer itself, I first had to take a photograph of this list of names.  I was still in Nicaragua at the time and believe it or not, I didn’t have access to a scanner, hence the photograph.  With the names digitized in my computer, I went through the image in Photoshop and essentially cut out the most interesting letters in order to reconstitute them and spell out “Country Kids” and the Spanish title, “Chateles del Campo.”

What we ended up with (hopefully) is a creative yet authentic artifact of the rural Nicaraguan school experience that communicates a sense of positivity and lightheartedness.  Maybe in reality it just comes across as another sloppy handwritten font, but in a perfect world my goal is to use the title logo as another way to prime the audience and hint at the ultimate tone and content of the film.  At the very least I put a lot of thought into it.


As of this writing we are just $365 short of our goal with 9 days left on the kickstarter.  Another million thanks go out to all of you who have donated your hard-earned ca$h to this project!  I’m not sure what you might want to do with one million thanks but they must be good for something, right?

For anyone who hasn’t yet made a donation, there’s still time, so head over to the kickstarter page NOW before it’s too late!  Some of the fabulous prizes you’ll get for helping us out include original drawings by yours truly…maybe even something similar to the one at the top of this post.

We swear that with your generous support backing us up, we will put all of our efforts into making this film the best it can be.  Jason and I are truly grateful for having been afforded the opportunity to make this project and we promise that it will be entertaining, evocative, and informative.  So thanks again guys.  Check back again soon for more Country Kids-related goodies!




12.13.2011

Perrita Perdida: Trailer


Here at last, I have for your enjoyment the trailer for Perrita Perdida, the short film I made with my friend and fellow volunteer Jason Outenreath in Camoapa, Nicaragua.

For those who are interested in the title, Perrita Perdida basically means “Lost Dog,” or “Lost Puppy,” but a saucier translation might also be “Lost Bitch.” In Spanish, the title carries all of these possible interpretations at the same time.


The story is as follows:
Diethdrich, a fine upstanding young person, is looking for the puppy he owns with his girlfriend. The girlfriend vows to break up with Diethdrich if he does not find and return said puppy. Drama ensues.

As of this posting, the final cut of this little movie (5 minutes) is ready to be sent up north to Gringolandia for sound mixing and color grading. Stay tuned for more news and enjoy the trailer!

If you're interested in the music of the film, listen to the tracks I wrote for the film here.
--> The Music of Perrita Perdida

Also check out a previous blog post, a story from the production of Perrita Perdida.
--> Perrita Perdida: Production Slate

11.28.2011

Perrita Perdida: Production Slate


Recently I’ve been editing a short film. The piece, called Perrita Perdida, was written, directed, and recorded by my good friend and fellow Peace Corps volunteer Jason Outenreath here in Nicaragua. I thought it might be cool to share a little about the project and generate some interest even though it’s still not finished.

A little over a month ago I went to Camoapa (Jason’s site) with my camera and tripod and we shot this little movie in one long and tiring day. Jason had written the script and sent it to me some time before, so I had an idea of what to expect, but like any production, we had a fair amount of challenges to deal with.

And like any production, the biggest challenges were posed by the actors and the weather. We shot the first few scenes in the morning with minimal problems, took a break for lunch, and were planning to finish filming in the afternoon and early evening, which we did, but there was a period of time when we thought we might not be able to…

The script was short, thank gawwd (about five pages long), which meant that the cast was also going to be extremely small; there were only five actors involved, BUT, during lunch, as we were preparing to shoot the only scene that involved conversational dialogue, the girl who was cast in that scene called Jason to say that she didn’t want to do it. This was maybe an hour before we were scheduled to shoot.

Qué mala onda, right? Correcto. SO, obviously we were kind of pooping our pants for a while, scrambling to find a replacement. To be fair, it was Jason doing most of the scrambling since all of the actors were from his site and he knew them—I was just living the dream, along for the ride— anyway, he called our lead actor Diethdrich to see if he could help us out.


Diethdrich, playing the part of the smooth leading man on AND off camera, assured us that there would be no problem and that he could whip up a replacement easy. And sure enough, at the snap of his fingers (after he made a few calls of course) a replacement actress stepped out of a taxi and began looking over her lines.

Now when I talk about “actors” this by no means is to insinuate that these people had any kind of prior acting experience. I really just mean that for that particular day, they had to act in our movie.  This absolute lack of acting experience made the job of directing quite a challenge so I tried to help Jason out as much as possible.

Okay, so we have our two actors. They’ve rehearsed their lines a bit. We’ve got the equipment ready: the camera, the tripod, the microphones, the headphones, the cables. We set out for the location. As we arrive on the street corner Jason had picked out for the scene (depicting a chance encounter between the protagonist and a female acquaintance, perhaps ex-novia), we hear a loud thunderclap announce itself from the hills. The dark clouds advance quickly and a few moments later it’s pouring down rain. We take shelter under the roof of a nearby house, the four of us, maldiciendo our bad luck. There was no rain in the script.

We waited there by that house for a good 45 minutes, hoping for the rain to stop. It’s times like these, the apparent low points, which can really be the defining moments of a production and ultimately an entire project. You can let the setbacks get you down and watch as your negative attitude spreads like black ink in a glass of water, or you can look at the situation as an opportunity to exercise some creativity, improvise a bit.

We went for the latter. From the stoop Jason started getting some cool shots of the rain: the clouds, a kid on a bike, a guy on a horse, the water dripping from rooftops… We started talking about how to work the rain into the story. For our patience and tenacity, the fates rewarded us: a beautiful arching rainbow right over the house we were using as shelter.


So we changed the scene a bit. Instead of running into her as they both turn a street corner, Diethdrich walks through the rain and happens past the acquaintance sitting in the house. She calls him over and they have a short and awkward conversation. Diethdrich continues on. This all happens under the arch of the rainbow.

There were some other challenges later on that day…all the walking we had to do to the different locations in the city, the crazy dog we had to try and get to act, the race against the rapidly diminishing light in the evening…but the rain was definitely the defining moment of the production. I’m proud of the way we were able to spin a potentially debilitating setback in our favor, and hopefully end up with a better movie for it.

So right now at this moment I’m finishing up the final cut of the film. It will be the third cut (unless Jason has other crazy ideas he hasn’t told me yet, in which case there might be a fourth). Like production, the editing process is often times a big puzzle as well. I originally edited the film to this great salsa tune called Tu Cariñito but we realized that if we ever want to submit this project to a festival, we’ll either need to buy the rights to the song (on a Peace Corps budget??) or come up with some original music.

So I took it upon myself to write some tracks. For the last 3 weeks I’ve been recording these little songs on my laptop in the evenings. The featured instrument in these songs is a seven-note finger piano (kalimba) that I brought with me to Nicaragua, but I also used a simple thumb flute made of cane (which I also brought with me) and found items like a cracker wrapper and an old wine bottle. For the majority of the beats, I just kinda tapped on my computer.  You can listen to the tracks here.

The editing of Perrita Perdida will be finished for good in the next week or so, then we’re going to send that final cut to the States around Christmastime for sound mixing and color correction. We’re looking at getting the finished product back sometime in the beginning of February. We’re pretty excited to see how it turns out!




Watch the trailer on YouTube! --> Perrita Perdida (Lost Dog) Trailer
The premiere at the 2012 Palm Springs International ShortFest